THE TRANSIT RIDER
(2006, Drag City)
A rider is born onto the transit sytem, a network of roads, rails, corridors and trails that meets itself on the far side of the world. In a setting of ongoing motion, among strangers, fluorescent lights, amidst the limping dogs and singing landscape, she will try to find a place only dreamt of: the picnic stop.
This selection of songs draws from a theme that began in 1994, when Dawn McCarthy was introduced to the complete world of the NYC subway in it's submerged & transient glory and began writing about it.
After working up short vignettes of the material with Nils Frykdahl over the years, The Transit Rider was made into a full length theater show in 2002 in San Francisco, aided by the inspiration of director Allen Willner with a cast of thirteen.
The album received further songwriting & development, plus collaborations from Dawn's mother Michelina Tyrie (Earth's Kiss) and a poem by her dad Will McCarthy (I No Longer Wish To), written during his last days as a stock broker. Also incorporated into the setting were songs from Polish 'art song' composer Zygmunt Konieczny (Taki Pejzaz/Such a Landscape), Soeur Sourire (Je Voudrais/I'd Like To Be) and an Anglo Saxon traditional (House Carpenter). It's debut release was celebrated with a remounting of the theater show newly adapted, aided by Bay Area artists Matt Lebofsky and Jenya Chernoff, which toured North America Spring 2006.
"Faun Fables latest disc, THE TRANSIT RIDER, is the musical equivalent of staring into a cat's eyes; intriguing, if somewhat unnerving. McCarthy's untamed vocals are like a cross between indie songstress Cat Power and Heart's Ann Wilson. Alone, her flight-of-fancy melodies are interesting. When accompanied by frequent collaborator Nils Frykdahl's canny baritone, they're positively riveting"
- Seven Days
"Dawn's voice is a wise old woman smoking the world's finest cigar...rolled in molasses, encased in velvet. It's deep yet airy, rich yet not overindulgent. To put it simply, it's evocative."
- MULE magazine
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FAMILY
ALBUM
(2004, Drag
City)
"...O tell
me this is all old and light...like a summer's day, so bright and complicated..like
the night"
These songs belong
to daughters and sons, entwined and orphaned, domesticated and feral; to all the family vines unraveling from a ball of yarn.
In this family
album, runaways graze the wild together, a mother finds her courage playing
the piano, dogs become thieves & wolves, and a son is taken too soon.
Fourteen-year-old nymphs sit dangerously at the crossroads, a younger
brother tries to find his place, packs of girls defeat fear with a march,
and the nightly adventures of the household mouse are spied upon.
"Only three tunes on MOTHER TWILIGHT hinted at the feral energy generated
by her union with Frykdahl. FAMILY ALBUM makes no such omissions, swinging
between the dulcet nostalgia of a child's song and the wild desperation
of a pack of wolves."
- SF WEEKLY, 2004
"One of the
few people who have managed to carry magical thinking into adulthood,
McCarthy writes songs that capture the terror and wonder of the natural
world...I can't think of a single act that's done what Faun Fables does-
not just sing about nature but actually sound like nature, in all its
howling ferocity."
- CHICAGO READER, 2004
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MOTHER
TWILIGHT
(2001, re-issue 2004, Drag
City)
Dawn and Nils
made a hand-assembled, first pressing of MOTHER TWILIGHT (self released 2001) that's mostly been available at Faun Fables live shows. They peddled it to nearly every bar and rural hall across North America from 2001-2003, in the course of national and international tours. This first pressing is nearly sold out. Drag City is releasing a re-issue in new packaging, available August, 2004.
With this recording,
I salute two portals of my life, twilight and travel. - Dawn
"This music is
rare and seems to hark back to days of old when magic was still
alive and strange creatures roamed the earth. A beautiful and brave record."
- www.collectedsounds.com
"The album resounds
with clear, cool numbers that seem to rove wonderously through the mountain pines at dusk."
- SF Weekly
"A cocktail of
beauty and peril....MOTHER TWILIGHT bares the eeriness of travelling
alone in a strange land."
- The Gazette, CO Springs
"Met on a rutted
road in the French Revolution, their music would offer
a lonely traveller kinship and solace."
-Village Voice, NYC
"The results
are like a first crush, beautiful and terrifying."
- Other Music,
NYC
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EARLY SONG
(1999, official release 2004, Drag
City)
EARLY SONG is
the first chapter of Faun Fables. A songbook documenting the first material
I performed and travelled with as a soloist in 1997. The songs are near
and dear to my heart; old travelling companions that helped me get around
the big, strange world. EARLY SONG's originals were written from 1994-1998,
some adapted from material I had written for bands. It was recorded in
1999 with producer Hans Wendl and Mark Orton, and one song with Dan Rathbun,
but it was never offically pressed. Many thanks to Drag City for helping
it see the light of day...and to Hans. - Dawn
"Eerie, Appalachian-tinged confessionals marked by spellbinding honesty.
One of the most gifted singers performing today, McCarthy suggests what
the next world might sound like."
- The New Yorker, June 2000
"McCarthy's vocals hauntingly animate EARLY SONG's starkly spacious,
near-mythic Appalachian-tinged folk tales....a unique musical vision anda
brawny, bard-like imagination."
- CMJ, Sept. 2000
"Her voice is
as haunting as an abandoned coal mine, whilc it dances with the even tempo
guitar that seems to pluck itself."
- Change MusicFestival/San
Francisco, Sept. 2000
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BONNIE ‘PRINCE’ BILLY
THE LETTING GO
(Drag City, 2006)
songs by Will Oldham
production: Valgeir Sigurdsson
WITH:
electric guitars: Emmett Kelly
drums: Jim White
bass: Paul Oldham
string arrangements: Nico Muhly & Ryan McNair
vocals: Dawn McCarthy
TO ORDER ONLINE: http://www.dragcity.com
"The Letting Go' is possibly the most adventurous and unexpected record Will has ever released. The most striking inclusion is that of Dawn McCarthy, who shares vocal duties with Oldham on almost every track - the harmonies she adds take Oldham's songs into places that they have so far only hinted at. Her voice is comparable to Sandy Denny and gives a subtle but haunting 70s folk resonance to the grandiose arrangements. The real key here is the quality of songwriting, and coupled with Oldham's most innovative and enjoyable arrangements yet, it really must be a very strong contender for album of the year."
- Boomkat (UK)
"But there's a revelation in this tender recording: the devastating prescence of Faun Fables' Dawn McCarthy. Her voice trails and caresses Oldham's every motion like strings, the wind, memories, echoes, lives lost and found. Her bearing on the essence of 'The Letting Go' is glorious, her defiant harmonies convey both bruising
intimacy (Lay Here and Love You) and bruised desolation (Then the Letting Go). Crucially, they signify a shift in Oldham's definitions of love: someone is singing these words back at him, as he reaches out- (not) letting go."
- Nicola Meighan, Play Louder
"Moody and introspective guitar ballads are often transformed through the delicate use of a string quartet, with flugelhorn or electric piano matched alongside the violins, viola and cello. And then there's the final, perhaps most important, addition to his musical lineup, the delicate vocal work from Dawn McCarthy of Faun Fables, who either echoes his gently intense, introspective vocals in a higher octave, or adds her own atmospheric embellishments, as on the sparse title track, which
features just acoustic guitar and the two voices, and has the sturdy, gently chilling appeal of a great folk song."
- Robin Denslow, The Guardian (UK)
"It was recorded in Iceland with producer Valgeir Sigurdsson, who gets more out of Oldham's voice and songs than has ever been heard on record. Oldham's harmony companion, Dawn McCarthy from Faun Fables, takes a much larger role than her predecessor on 'Master and Everyone' and her credit for harmony arrangements tell you everything you need to know about how important she is to the success of this album. Since the quality of Oldham's songwriting has rarely wavered, the excellent arrangements and McCarthy's contributions make 'The Letting Go' the best of his career to this point."
- John Bush, Allmusic.com
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My Grandmother (2005 dvd)
Nils Frykdahl with Beth Custer Ensemble
“My Grandmother” is a Georgian/Russian silent film made in 1929 by Kote Mikabaridze. It’s a satire on the Societ bureacracy with early examples of stop motion animation & cartooning. Clarinetist Beth Custer composed a musical score for it. Nils Frykdahl is narrator/storyteller.
For more NILS FRYKDAHL music/sounds, visit the SLEEPYTIME GORILLA MUSEUM website.